balkans

Photography is a copy of reality. In that single image captured momentarily, various information such as time, place, color, sense of distance, and atmosphere are mixed. A lot of that information makes the photo a copy of reality. Therefore, you can witness the scene again by looking at the picture.

What about extracting information from a photograph? Change color. Lose color. Break the sense of distance. Muddy the atmosphere. The place becomes ambiguous and the subject loses its shape. At this stage, can we say that photography is a copy of reality? Rather, it may become an expansive plane freed from the various limitations of "photography".

Through this series of works. I explore whether the blank space of two-dimensional information resonates with the viewer's sense of deja vu and premonition.